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SITAKANT
MAHAPATRA Oriya
Poet.
Born: September 17, 1937 at Mahanga ,
Cuttack District , Orissa.
IMPORTANT WORKS:
- Astapadi (Poetry)
- Shabdara Akash (Poetry)
- Ara Drushya (Poetry)
- Shreshta Kavita (Poetry )
- Shabda , Swapna O Nirvikita (Essays)
- Aneka Sharat (Travelogue)
- The Ruined Temples and other poems (English
Poetry, Translation )
HONOURS:
- Jnanapeeth Award
- Sahitya Akademi Award
- Orissa Sahitya Akademi Award
- Soviet Land Nehru Award
- Fellow , Harvard University
- Fellow International Academy of Poets ,
Cambridge
ADDRESS
21, Satyanagar Bhubaneshwar, Orissa - 751 007, India. Tel
: 504 569
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Dhangda's Love Songs
On the hill's sloping ground I asked you to give me love,
dreams, A touch, tobacco leaves. And you said : Here there are
only the harvesting men. Not here.
In the twilight dark, at the place where the village now begins
to be restless with the scent of mahula, I asked for your
affection, your body; Or else, just give your word , I said. And
you said : I'm always afraid of the fireflies and the lovely
stars; it is better that we leave this solitary place.
Inside the forest , when the beating of the heart could be
heard, I asked for your love, your touch. And you said : Oh, no!
here there is just the pale grey earth. Wouldn't this flower-like
body , this pure unblemished soul , turn earth-pale? Not here, not
here! Beside the rivulet, there was no one, just the lone bird
that sang. I asked for your touch , for darkness. And you said :
On the rivulet's clear mirror everything is seen. Not here, not
here.
The whole world had dropped off to sleep, even the moon and the
stars, I asked for your touch , asked for life, and for my
helpless , shivering soul, begged for a small place in the nest of
your body. And you said : Even in the dark , inside your eye's
mirror , everything is clearly seen. Not now, not now.
Plucking out my eyes, I give them to you , like a
lotus-gift . Take them. And now give me the touch , the love , the
dark, give my lonely soul its much needed shelter.
Grandmother
The matchbox- bus full of passengers like matches , the uneven
road, the drizzling rain, the crossing of rivers, the narrow path
between crop fields full of crabs and dead snails: it was already
twilight when we arrived after going through all this. She used to
say : Even the God of Death reaches our village struggling , and
late.
Everything was over , it was too late. The pallbearers had
arranged everything. Her second long journey was about to
start. She had journeyed once before - a shy, tamarind -coloured
bride on a bullock cart leaving her father's house for ours.
" I've become an eroded shore. Do come sometime, my son, I
might not be able to see you at all , who knows?" The tree at the
floodwater's edge slips, is swept along helpless in the blinding
current, where is the need for sound or noise ?
In the innermost room I lifted the white sheet and peered into
history's face: as vast as the sky, dumb as the earth. Once more
silence heaved a deep sigh.
Night, the crickets singing , the glowworms winking in the bamboo
forest ; in the dark sky a few stars glimmering. Everyone had
departed after eating the traditional neem - bitter food Shadows
danced on the cowdung- washed walls.
His face to the wall , his back to us, father wept. That was
the first time that I saw him weep. What could I have said to console
him ? Walking out of the house , I merely looked up at the sky
where she had become another star.
That day I realised for the first time how every weeping act in
this life is performed in a hidden way, secretly.
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